Saturday, November 16, 2013

@OBBookTours Guest Post - Alexandra Sokoloff - Blood Moon

 —- Book II in the Thriller Award-nominated Huntress/FBI series —-
Twenty-five years have passed since a savage killer terrorized California, massacring three ordinary families before disappearing without a trace.
The haunted child who was the only surviving victim of his rampage is now wanted by the FBI for brutal crimes of her own, and Special Agent Matthew Roarke is on an interstate manhunt for her, despite his conflicted sympathies for her history and motives.
But when his search for her unearths evidence of new family slayings, the dangerous woman Roarke seeks – and wants – may be his only hope of preventing another bloodbath.
*****
It is highly recommended that you read Book I of the series, Huntress Moon, first.
Buy Now @ Amazon
Genre – Mystery / Thriller 
Rating – PG13 
More details about the author
Connect with Alexandra Sokoloff on Facebook & Twitter

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23rd November – Excerpt at Brainy Reads

Friday, November 15, 2013

@OBBookTours - Book Feature - Bob Mayer - Chasing the Lost

NY Times Bestselling Author, former Green Beret and West Point Graduate, Bob Mayer.
“A pulsing technothriller. A nailbiter in the best tradition of adventure fiction.” Publishers Weekly ref Bob Mayer
Horace Chase arrives on Hilton Head Island to pay his last respects at the Intracoastal Waterway where his late mother’s ashes were spread and to inspect the home his mother left him in her will. He’s been recently forced into retirement, his divorce is officially final, and now he’s standing in the middle of the front yard of his ‘new’ house where a tree has crashed right through the center of it.
What could possibly go wrong?
Within six hours of arriving on Hilton Head, Chase is exchanging gunfire with men who’ve kidnapped a young boy and tried to grab the boy’s mother, Sarah Briggs. Soon he’s waist deep in an extortion plot to funnel a hundred million dollars of Superbowl on-line gambling money into an offshore bank account or else the boy dies.
Dave Riley has long retired from the military and living peacefully on sleepy Dafuskie Island off the coast of South Carolina. Sort of. Actually he’s bored, feeling old, and just a bit cranky running his deceased uncle’s small-time bookie operation.
Horace Chase, meet Dave Riley. Riley-Chase.
Chase and Riley assemble a team of misfits and eccentrics as they take on the powerful Russian mob in the lawless tidal lands of the Low Country to get the boy back.
Meet Erin: Chase’s long-ago summer fling, now a veterinarian and not interested in men any more, at least that way. But her suturing skills and her knowledge of the island bring assets the team needs. Especially after Chase’s first visit with the Russian requires a bit of the former.
Meet Gator: an ex-Ranger, iron-pumping, fire-breathing hulk of a redneck, with a soft spot in his heart for Erin, and steroids burning in his muscles to hurt people. As long as Riley and Chase point him in the right direction, the rest of the populace should be all right.
Meet Kono: a Gullah, descendant of the free slaves who fled to the barrier islands in the 19th century and developed their own culture. He nurses his own pain and secrets, but heeds Chase’s call to renew their childhood friendship. Especially when he learns the target is the Russians.
It adds up to a fiery confrontation to rescue the young boy, and settle some old scores.
But Riley and Chase need to remember a basic tenet from their days in covert operations: Nothing is ever as it appears.
Buy Now @ Amazon
Genre – Thriller
Rating – PG
More details about the author
Connect with Bob Mayer on Facebook & Twitter

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22nd November – Author Interview at bit’s ‘n Bobs
29th November – Guest Post & Book Feature at Life Altering Reads

@OBBookTours Guest Post - Nhys Glover - The Titans Drown

What Inspired Me to Write My Book
by Nhys Glover 
The mystery of the Titanic inspired me to write The Titan Drowns. How was it that of the 2,223 souls on board her that night, each with access to a lifejacket, only 710 were rescued and 328 bodies recovered? That left 1,185 people, or more than half the passengers and crew, left unaccounted for. They couldn’t all have been below decks when she went down, could they?
So the mystery gave me the fuel I needed for my New Atlanteans to use.
The world of New Atlantis was inspired by what I see happening to our world. If we keep going on as we have for the last hundred or more years we’ll have destroyed the planet and ourselves. The last of us will then be traumatised survivors with access to all the technologies we’ve created. They might just be able to find a way to fast-track Earth’s regeneration using those technologies. That’s my hope, anyway.
In The Titan Drowns I allow Karl Ontario to express my views about what’s happened. He’s come to believe a Divine Hand is at work in man’s affairs. We’re saved from utter annihilation and left with the expertise we need to bring ourselves back from the brink by that Hand. The Last Great Plague, which some believed was a biological weapon gone rogue, kills 999 out of every 1,000 people. But the one that survives is often a person with knowledge that can be used by the new world, or abilities to help that world in some way. For instance, Karl worked on accelerated cellular development and clone research before the Last Great Plague. It’s his knowledge that keeps humanity going, in one cloned body after another, until it heals enough to start reproducing naturally again.
I think those survivors would all be suffering long-term Post Traumatic Stress. They’d be emotionally numb and hyper-cautious. They’d be terrified that change of any kind might lead to their final destruction. So, up until Cara heals Jac with her love and then starts the world’s rebirth by Retrieving children, my vision of the future has New Atlantis being a lovely, peaceful and perfect mausoleum.
By The Titan Drowns, which is the sixth in the series, but a stand-alone novel, my future world has undergone massive changes. And by the time they finish this mission, those changes have brought about the final healing. Like real life, once they stopped being afraid to die they really started to live.
All my books are also inspired by the desire to escape the mundane world. In the case of The Titan Drowns, writing it was like taking an extended holiday in the past. I lived every moment of the journey I described. It was the Ship of Dreams that turned into the Stuff of Nightmares, but up until that fateful moment when the iceberg hit, it was a grand adventure. Getting the chance to live that journey was inspiration enough to write this book, the love found and lives saved were just icing on the cake.
Buy Now @ Amazon
Genre – Romance
Rating – Between PG13 and R (sensual but not erotic)
More details about the author & the book
Connect with Nhys Glover on Facebook & Twitter

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22nd November – Excerpt at UK Book Club

Thursday, November 14, 2013

@OBBookTours - Have short stories become irrelevant today? by Michel Sauret

Have short stories become irrelevant today?
by Michel Sauret
Getting the short story published is a challenge because the market is so small.
In April, I’ll be hosting a workshop on writing short stories. To prepare, I reached out to a few authors and asked them why they think short stories are still relevant and valuable in today’s age.
This is what a few of them responded… 
Stories are all we have, really, to connect with each other across time and cultures and the very grave itself. The linguists call it a triadic event when two minds connect over a third thing. But look where that leads. Your mind, and that of, say, Fitzgerald’s, over that sad figure whose losing his daughter again in “Babylon Revisited.”
I’d say they’re important because of the pure immersion they give us in another world. Because of all the things we can learn about ourselves from reading them. 
The short story, by contrast (to a novel), is unique in that it packs all the pleasures of long-form fiction into a savory, aromatic dish that can be ingested and enjoyed in about the same time as it takes for you to leash up your dog and go looking for adventure in the woods.
Have short stories become irrelevant to the young or common reader?
I had originally emailed Martin Slag (whose email name is Ernesto Barbieri?) to get a quote from him on the subject because he writes an unbelievably addicting blog called “Letters of Rejection” which is all about the process and experience of getting short stories rejected by Literary journals. Instead of replying by email, he told me he would answer my question in the form of a blog article, which you can read here.
One of the comments he made in the article sparked my interest and caused me to respond.
He said, “First, the short story market is not disappearing; if anything, it is expanding, at a vastly disproportionate rate to our culture’s interest in the form.”
But isn’t that a contradiction in terms? For a market to expand, there must be an equally proportionate growth in consumption as there is in production. For a market to grow, supply must be met by demand. You can have a farm that grows a million bananas each year, but if you have enough buyers for only ten thousand, that’s a market about to collapse on itself.
This leads me to question whether short stories really ARE relevant today? Was I jumping to an unsupported conclusions when I asked whether short stories were really relevant today?
Afterall, there are a number of literary journals shutting down each year due to financial struggles.
Also, short story collections don’t sell nearly as well as novels.
Have short stories gone in the way of classics, therefore mostly irrelevant to young or common readers who need to be energized and excited about reading itself? Are short stories better left for a college or more intellectually mature audience?
I’m afraid that maybe I’ve assumed too much by asking WHY short stories are still relevant today.
I’ve seen that problem myself with “Amidst Traffic.” Though the collection has been met with favorable reviews and praise, the sales are so meager that it’s been difficult to call it a “marketable product.” The demand for short stories has decreased over the years, and the most popular books are usually ones that provide much action and little thought provocation.
But why? Our American culture is one that’s moving toward a shorter attention span and desiring shorter reading materials for public consumption.
The most popular blog posts are the ones that are short and to the point. Twitter and Instagram have become king in the social media world.
But then why is there no oxygen for short stories to survive financially? Why is the short story market dying?
I’m beginning to wonder whether short stories really ARE relevant from a public’s perspective. Except, I’m willing to argue that short stories ARE relevant from a writer/supporter’s perspective.
My argument is this: Short stories (the good ones), provoke the reader to think critically about the material because everything is packed in such a way that every word must have added meaning. It is BECAUSE our culture is so intellectually lazy, that more short stories are what we need!
But in a free society (which we all want, right?) it is the consumer who decides what product lives and what product dies. Authors will continue to write short stories even if there is no money to support it.
But is that enough to make them relevant?
And then there was this…
The article goes on to say that the current resurgence in the short story form could translate in future sales.
Originally, I rejoiced at this article! I was hopeful!
But as I kept reading the piece I saw that it was more speculation than journalism. Really, the NYT article provided no factual, tangible or quantitative evidence to support the case that Short Story Collections are on the rise in the market.
My concern is that even if the short story is making a comeback thanks to the internet, maybe sales won’t follow as greatly as the article might expect. After all, people who love reading articles and news on small screens (say tablets and smaller devices), are usually readers who enjoy most of what they read for free.
If, however, the market moves into the Kindle, Nook and iBook format, then there’s financial hope after all…
Until then, the Short Story Form will always be a greater exercise in joy than in profit.
Buy Now @ Amazon
Genre – Short Stories / Literary Fiction 
Rating – PG13
More details about the author & the book
Connect with Michel Sauret on Facebook & Twitter

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21st November – Author Interview & Book Feature at Farm Girl Books

Saturday, November 9, 2013

@OBBookTours - Making characters believable by Bette Lee Crosby

Making characters believable
by Bette Lee Crosby
For me, the most important part of a story is character development. As a reader, I have to feel a connection with the characters in a story, or I find myself quickly losing interest. I believe it’s the same for most people.
Before I start to write a novel, I spend weeks getting to know each and every one of the people in the story. I imagine their response to challenge. I dig down to find what makes them happy and what makes them sad. I also look back at the individuals who have crossed my pathway of life and allocate select personality traits to the certain characters.
I’ve been genuinely fond of all the characters I’ve created, but Ethan Allen Doyle of Spare Change is probably my favorite. He has a voice and an attitude that is uniquely his, so I thought I’d let you get to see him as I did. This is my interview with Ethan Allen Doyle…
Q: Who are you?
A: My name’s Ethan Allen Doyle, I’m an eleven-year old kid and I ain’t the hero of this story, but I got more troubles than any ten heroes ought to have. I suppose you could say Grandma Olivia is the hero, but it sure didn’t start out that way. Matter of fact, Grandma Olivia never even wanted kids, never mind an eleven-year-old boy with trouble dogging his heels.
Q: Where do you live?
A: Me, my Mama and Daddy lived on a farm smack in the middle of nowhere—folks claim it’s the Eastern Shore of Virginia, but Mama used to say it was the ass end of the earth. ‘Course I don’t where I’m gonna live now, guess that depends on whether or not Grandma Olivia changes her way of thinking about kids.
Q: Do you run from conflict?
A: I got no choice but to run; if I stay here Scooter Cobb is gonna blast my butt to kingdom come. And, telling the truth ain’t an option—whose gonna take the word of a kid over that of a policeman?
Q: How do you see yourself?
A: I see myself as the most unluckiest kid in the world; I got a dead Mama, a dead Daddy, and a policeman’s daddy looking to kill me. Is that unlucky enough for you?
Q: How do your enemies see you?
A: Right now, I ain’t all that sure who’s my enemy and who’s not. I know for sure Scooter Cobb is, he’s got a sneaky suspicion I know the truth of what happened to Daddy so he’d rather see me dead than alive. And, I got a notion his son Sam, feels the same; with Sam being a policeman things are just gonna get worse. That other detective, Jack Mahoney, I’m not too sure about him.
Q: What do you think of yourself?
A: I’m nobody’s fool; I know trouble when I see it and I can generally figure my way around it. Mama says I’m a lot like her, but there’s one difference—when Daddy gets ugly, she eggs him on, me, I just up and disappear.
Q: Do you have a hero?
A: Yeah, I reckon my hero is Grandma Olivia; she had guts enough to stand up the Cobbs. She told me not to worry ‘cause we got God on our side, ‘course the Cobbs got guns and meanness on their side, but Grandma Olivia didn’t seem to let that bother her none.
Q: Do you have a goal?
A: ‘Course I got a goal—stayin’ alive! When Mama was alive we was thinking we’d go to New York City so she could be a singing star, but that plan’s shot to hell, so stayin’ alive is the next best thing.
Q: What are your achievements?
A: Getting outta Scooter Cobb’s house for one thing. I come up with that plan by myself, nobody was slipping me some good escaping suggestions that’s for sure. Okay, I was scared when my foot missed and I started sliding off the roof, but I didn’t give in to screaming or anything; a lot of kids would’ve been yelling for their mama, but not me—yelling for Mama wouldn’t of done me no good anyway.
Q: What makes you happy?
A: I like when the Orioles win; ‘course they don’t win much so I ain’t got a lot to be happy about. I used to be happy when Mama talked about me n’ her going to New York City. I figured if we ever got there, I was gonna see a New York Yankees game. The Yankees, now that’s a team you can be happy about.
Q: What makes you sad?
A: Thinking about Mama lying in the driveway like she was taking a nap and thinking about Daddy with his head squashed open; and of course knowing I ain’t never gonna see that Yankee game I was counting on.
Q: Are you lucky?
A: You gotta be kidding me! I done told you, I’m the most unlucky kid in the world! If I was lucky, me and Mama would be in New York eating a bunch of hot dogs and watching a Yankee game.
Q: Did you get along with your parents?
A: Yeah, we got along okay. With Daddy I mostly stayed outta his way, but Mama and me, we had ourselves some good times talking about all the stuff we was gonna do. Mama wasn’t like most mamas, she didn’t like cooking and cleaning, she said life was too short for such nonsense, she said we was put on earth to be happy and that’s what she was trying to do. I felt real good when Mama said I took after her and was not like Daddy; I never wanted to be like Daddy.
Q: Was there ever a defining moment in your life?
A: Yeah, when I found Mister Porter’s shotgun in the basement, if it wasn’t for that rusted old shotgun Grandma Olivia and me would both be dead. I would’ve preferred finding some shells for the Browning ‘cause a rifle’s a lot more accurate than a shotgun, but luckily things worked out okay anyway.
Q: What is your most prized possession?
A: Is a dog a possession? ‘Cause if he is, then I’d say Dog. If a dog ain’t a possession, then I guess it’s a toss-up between my catcher’s mitt and those birthday cards I got from the grandpa I ain’t ever met. If I didn’t have those cards, I’d of never found Grandma Olivia.
Q: How do you envision your future?
A: That’s a funny question. Anyway, I done seen the story of how I growed up, so I know what I become; but I ain’t saying. If you really wanna know, then you gotta read Grandma Olivia’s story—‘cause that’s the God’s honest truth of how it happened.
Buy Now @ Amazon
Genre – Literary Fiction
Rating – PG13
More details about the author & the book
Connect with Bette Lee Crosby on Facebook & Twitter & GoodReads

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16th November – Author Interview & Book Feature at Farm Girl Books

Thursday, November 7, 2013

@OBBookTours - 7th November – Book Feature - Christoph Paul - The Passion of the Christoph

With a biting sense of humor, sarcasm, and a unique worldview, Christoph Paul’s “The Passion of the Christoph” exposes readers to an unprecedented commentary on every topic. Paul’s take on sex, religion, politics, sports, to name a few, will leave you transformed as you absorb this insightful compilation of satiric and hysterical essays.
Buy Now @ Amazon
Genre – Humor / NonFiction
Rating – NC17
Connect with Christoph Paul on Facebook & Twitter

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14th November – Excerpt at A Novel Design

Saturday, November 2, 2013

@OBBookTours - How to Write by the Seat of Your Pants: Outline or No? by Kim Cano

How to Write by the Seat of Your Pants: Outline or No?
by Kim Cano 
I know people who outline extensively and others who fly by the seat of their pants. I’ve tried outlining and it doesn’t work for me. I usually get an idea, then let it simmer and form a bit in my mind. I get to know the main characters, how they feel, what their personalities are like. And I always start out knowing the end. Sometimes I will write it first so I know where I’m ultimately headed. There are times the characters alter off path slightly and surprise me with their actions, but the end is always solid.
My first draft tends to be more of “getting the story out.” The second draft I visualize it more, adding more sight, sound, and smell. I check for words I tend to repeat and switch them out for better words. Then I keep polishing. Then I use a developmental editor, and re-write from there and he and I work together again to polish.
I have friends that do outlines. There are people who like note cards. I say whatever works to get the words on paper. It’s a personal creative process.
Buy Now @ Amazon
Genre – Women’s Fiction
Rating – PG
More details about the author & the book
Connect with Kim Cano on Facebook & Twitter

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9th November – Author Interview & Book Feature at Working for Books
16th November – Excerpt at Book Professor